Altered states of reality

Citation
Altered states of reality

Material Information

Title:
Altered states of reality the theme of twinning in David Lynch's Lost Highway
Creator:
Green, Alan Edward
Place of Publication:
[Tampa, Fla]
Publisher:
University of South Florida
Publication Date:
Language:
English

Subjects

Subjects / Keywords:
Moebius strip
Psychogenic fugue
Identity crisis
Postmodern directors
Film noir
Dissertations, Academic -- English -- Masters -- USF
Genre:
bibliography ( marcgt )
theses ( marcgt )
fiction ( marcgt )

Notes

Abstract:
ABSTRACT: As a postmodern director, David Lynch makes films which are innovative,evocative, and uniquely his own. The theme of twinning, in particular, is recapitulated throughout the director's oeuvre; however, it is with Lost Highway that the thematic element he addresses takes center stage. The film's main character Fred Madison (Bill Pullman) is unable to cope with the trauma in his life. After killing his wife and finding himself on death row, he has a parallel identity crisis; he manages a metamorphosis into a younger, virile Pete Dayton (Balthazar Getty). The method which allows this transformation is the psychogenic fugue: a fantasy which creates an alternate reality caused by the subject's refusal to see objective truth(s).As the plot progresses, there are several more characters who develop alter egos. These other important twinnings include Fred's wife Renee/Alice (Patricia Arquette), Mr. Eddy/Dick Laurant (Robert Loggia), and the Mystery Man played by Robert Blake. Of all the doppelgangers, the Mystery Man is vital to the unraveling of the story; he is an abstraction and can exist in several places at one time. He is asymbolic function of the super ego which allows Fred to carry out the mission.Lynch also uses the Moebius Strip as another tool to interweave reality and fantasy into the plot. The story can have a litany of meanings because of the twist in the strip. It allows overlap in the space/time continuum. The use of this concept is invaluable in applying certain types of analysis to the film. Among others, Jacquesii Lacan , Sigmund Freud, and Slavoj Zizek are central to defining the film. Lynch shows the audience that fantasy cannot subvert reality. It is only a temporary fix. Fred Madison's twinning is unsuccessful in the end. He is forced to continue riding his own lost highway until another new reality is created.
Thesis:
Thesis (M.A.)--University of South Florida, 2006.
Bibliography:
Includes bibliographical references.
System Details:
System requirements: World Wide Web browser and PDF reader.
System Details:
Mode of access: World Wide Web.
General Note:
Title from PDF of title page.
General Note:
Document formatted into pages; contains 38 pages.
Statement of Responsibility:
by Alan Edward Green.

Record Information

Source Institution:
University of South Florida Library
Holding Location:
University of South Florida
Rights Management:
All applicable rights reserved by the source institution and holding location.
Resource Identifier:
001795206 ( ALEPH )
147998711 ( OCLC )
E14-SFE0001546 ( USFLDC DOI )
e14.1546 ( USFLDC Handle )

Postcard Information

Format:
Book

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This item has the following downloads:


Full Text
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Altered states of reality :
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University of South Florida,
2006.
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ABSTRACT: As a postmodern director, David Lynch makes films which are innovative,evocative, and uniquely his own. The theme of twinning, in particular, is recapitulated throughout the director's oeuvre; however, it is with Lost Highway that the thematic element he addresses takes center stage. The film's main character Fred Madison (Bill Pullman) is unable to cope with the trauma in his life. After killing his wife and finding himself on death row, he has a parallel identity crisis; he manages a metamorphosis into a younger, virile Pete Dayton (Balthazar Getty). The method which allows this transformation is the psychogenic fugue: a fantasy which creates an alternate reality caused by the subject's refusal to see objective truth(s).As the plot progresses, there are several more characters who develop alter egos. These other important twinnings include Fred's wife Renee/Alice (Patricia Arquette), Mr. Eddy/Dick Laurant (Robert Loggia), and the Mystery Man played by Robert Blake. Of all the doppelgangers, the Mystery Man is vital to the unraveling of the story; he is an abstraction and can exist in several places at one time. He is asymbolic function of the super ego which allows Fred to carry out the mission.Lynch also uses the Moebius Strip as another tool to interweave reality and fantasy into the plot. The story can have a litany of meanings because of the twist in the strip. It allows overlap in the space/time continuum. The use of this concept is invaluable in applying certain types of analysis to the film. Among others, Jacquesii Lacan Sigmund Freud, and Slavoj Zizek are central to defining the film. Lynch shows the audience that fantasy cannot subvert reality. It is only a temporary fix. Fred Madison's twinning is unsuccessful in the end. He is forced to continue riding his own lost highway until another new reality is created.
502
Thesis (M.A.)--University of South Florida, 2006.
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Includes bibliographical references.
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Text (Electronic thesis) in PDF format.
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System requirements: World Wide Web browser and PDF reader.
Mode of access: World Wide Web.
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Title from PDF of title page.
Document formatted into pages; contains 38 pages.
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Moebius strip.
Psychogenic fugue.
Identity crisis.
Postmodern directors.
Film noir.
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Masters.
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t USF Electronic Theses and Dissertations.
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u http://digital.lib.usf.edu/?e14.1546




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