Crucifixion with Stories of Passion and Holy Figures (detail)

Citation
Crucifixion with Stories of Passion and Holy Figures (detail)

Material Information

Title:
Crucifixion with Stories of Passion and Holy Figures (detail)
Alternate title:
The Decoration of the Camposanto in Pisa
Creator:
PISA, School of, end of 12th c
Italy, Florence, Galleria degli Uffizi. ID=IFU
Language:
English

Subjects

Subjects / Keywords:
Painting
Genre:
Painting
picture ( marcgt )
Painting

Notes

Summary:
In the Last Judgement Christ and the Virgin are set side by side in separate mandorlas, and Christ concentrates upon a single condemnatory gesture. The traditional balance between the Blessed and the Damned has been maintained, but Hell has swollen to become almost a separate scene, running the full height of the wall and rivalling the whole of the rest of the Last Judgement in size. The change in relative proportion expresses the sense of guilt and the awareness of the just and terrifying wrath of God that follow the disasters of the forties and permeate the art of the fifties and sixties.
General Note:
Beginning Date: 1290
General Note:
Completion Date: 1250
General Note:
Inventory: 432

Record Information

Source Institution:
University of South Florida Library
Holding Location:
University of South Florida
Rights Management:
All applicable rights reserved by the source institution and holding location.
Resource Identifier:
A01-KIE0061 ( USFLDC DOI )
a1.kie0061 ( USFLDC Handle )

Postcard Information

Format:
Photograph

Full Text
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1 100
PISA, School of, end of 12th c.
0 245
Crucifixion with Stories of Passion and Holy Figures (detail).
2 246
The Decoration of the Camposanto in Pisa.
260
g Ca. 1290-1310
340
Tempera on wood
b 377 x 231 cm.
c Artists : painter
500
Beginning Date: 1290
Completion Date: 1250
Inventory: 432
520
In the Last Judgement Christ and the Virgin are set side by side in separate mandorlas, and Christ concentrates upon a single condemnatory gesture. The traditional balance between the Blessed and the Damned has been maintained, but Hell has swollen to become almost a separate scene, running the full height of the wall and rivalling the whole of the rest of the Last Judgement in size. The change in relative proportion expresses the sense of guilt and the awareness of the just and terrifying wrath of God that follow the disasters of the forties and permeate the art of the fifties and sixties.
653
Painting
4 655
Painting
710
Italy, Florence, Galleria degli Uffizi. ID=IFU
773
t Art and Art History Collection (Saskia)
787
Close up-head of Christ.


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