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Madonna and Child Enthroned

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Material Information

Title:
Madonna and Child Enthroned
Alternate title:
Virgin Enthroned with Angels
Physical Description:
Photograph
Language:
English
Creator:
Musee du Louvre. ID=FPL
Publication Date:

Subjects

Subjects / Keywords:
Paris, France
Pisa, Italy (church San Francesco)
Style: Early Renaissance with influence to the Byzantine tradition
School: Early Renaissance with influence to the Byzantine tradition
Movement: Initial break from the Byzantine tradition
Florentine
Painting
Genre:
Painting
Painting
picture   ( marcgt )

Notes

Summary:
Vasari mentioned this painting as located in the church San Francesco in Pisa. In 1811, during the Napoaleonic war, it was transferred to Paris. It was restored in 1937-38. The thorought analysis executed before the restoration showed the painting to be in a rather precarious condition: the central figures and the golden background were completely repainted. From the results of the analysis some doubts have been arised concerning the authorship of the painting. Among others it was assumed to be the work of a Sienese painter (perhaps Duccio) after a painting by Cimabue.
General Note:
Beginning Date: 1290.
General Note:
Completion Date: 1295.
General Note:
Inventory: 254

Record Information

Source Institution:
University of South Florida Library
Holding Location:
University of South Florida
Rights Management:
All applicable rights reserved by the source institution and holding location.
Resource Identifier:
usfldc doi - A01-KIF0001
usfldc handle - a1.kif0001
System ID:
SFS0033986:00001

Full Text
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record xmlns http:www.loc.govMARC21slim xmlns:xsi http:www.w3.org2001XMLSchema-instance xsi:schemaLocation http:www.loc.govstandardsmarcxmlschemaMARC21slim.xsd
leader nkm 22 a 4500
controlfield tag 007 kh|mo|
008 s flunnn| ||||ineng
datafield ind1 8 ind2 024
subfield code a A01-KIF0001
040
FHM
049
FHmm
1 100
Cimabue.
e Artist : painter
0 245
Madonna and Child Enthroned.
2 246
Virgin Enthroned with Angels.
260
c 1290-95.
340
b 424 x 276 cm.
Tempera on panel.
500
Beginning Date: 1290.
Completion Date: 1295.
Inventory: 254
520
Vasari mentioned this painting as located in the church San Francesco in Pisa. In 1811, during the Napoaleonic war, it was transferred to Paris. It was restored in 1937-38. The thorought analysis executed before the restoration showed the painting to be in a rather precarious condition: the central figures and the golden background were completely repainted. From the results of the analysis some doubts have been arised concerning the authorship of the painting. Among others it was assumed to be the work of a Sienese painter (perhaps Duccio) after a painting by Cimabue.
4 651
Paris, France.
Pisa, Italy (church San Francesco).
653
Style: Early Renaissance with influence to the Byzantine tradition.
School: Early Renaissance with influence to the Byzantine tradition.
Movement: Initial break from the Byzantine tradition.
Florentine.
Painting:
655
Painting
710
Musee du Louvre. ID=FPL
773
t Art and Art History Collection (Saskia)