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The Portinari Altar ( Left panel)

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Material Information

Title:
The Portinari Altar ( Left panel)
Physical Description:
Photograph
Language:
English
Creator:
Goes, Hugo van der, 1435?-1482 ( Artist : painter )
Galleria degli Uffizi. ID=IFU
Publication Date:

Subjects

Subjects / Keywords:
Floence, Italy
Florence, Italy, (Church of Sant
Style: Netherlandish Northern Renaissance
School: Northern Renaissance
Movement: Renaissance
Flemish
Painting;
Genre:
picture   ( marcgt )

Notes

Summary:
The Portinari Altar (1476-78) is his only authenticated surviving work, around which others can nevertheless be grouped with some certainty: Monforte Altar, The Fall of Adam, one of his earliest surviving works, and several others. Hugo van der Goes occupies a unique position in painting history because of his insight into character and class and through his intensely observant, almost surreal, rendering of nature and space. Hugo
General Note:
Beginning Date: 1476
General Note:
Completion Date: 1478
General Note:
Inventory: 319,131,923,193

Record Information

Source Institution:
University of South Florida Library
Holding Location:
University of South Florida
Rights Management:
All applicable rights reserved by the source institution and holding location.
Resource Identifier:
usfldc doi - A01-LFF0421
usfldc handle - a1.lff0421
System ID:
SFS0034154:00001

Full Text
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record xmlns http:www.loc.govMARC21slim xmlns:xsi http:www.w3.org2001XMLSchema-instance xsi:schemaLocation http:www.loc.govstandardsmarcxmlschemaMARC21slim.xsd
leader nkm 22 a 4500
controlfield tag 007 kh|mo|
008 s flunnn| ||||ineng
datafield ind1 8 ind2 024
subfield code a A01-LFF0421
040
FHM
049
FHmm
1 100
Goes, Hugo van der, 1435?-1482.
e Artist : painter
0 245
The Portinari Altar ( Left panel).
260
c 1476-78
340
b 253 x 304 cm.
Tempera on wood.
500
Beginning Date: 1476
Completion Date: 1478
Inventory: 319,131,923,193
520
The Portinari Altar (1476-78) is his only authenticated surviving work, around which others can nevertheless be grouped with some certainty: Monforte Altar, The Fall of Adam, one of his earliest surviving works, and several others. Hugo van der Goes occupies a unique position in painting history because of his insight into character and class and through his intensely observant, almost surreal, rendering of nature and space. Hugo
4 651
Floence, Italy.
Florence, Italy, (Church of Sant
653
Style: Netherlandish Northern Renaissance.
School: Northern Renaissance.
Movement: Renaissance.
Flemish.
Painting;
2 710
Galleria degli Uffizi. ID=IFU
773
t Art and Art History Collection (Saskia)