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Pala di San Cassiano

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Material Information

Title:
Pala di San Cassiano
Alternate title:
Madonna with the Saints Nicholas of Bari, Anastasia, Ursula and Dominic
Physical Description:
Photograph
Language:
English
Creator:
Antonello, da Messina, 1430?-1479 ( Artist : painter )
Kunsthistorisches Museum. ID=AVK
Publication Date:

Subjects

Subjects / Keywords:
Vienna, Austria
Venice, Italy
Style: Italian Early Renaissance
School: Early Renaissance
Movement: Renaissance
Italian
Painting;
Genre:
Painting
Painting
picture   ( marcgt )

Notes

Summary:
It was at the Neapolitan court of the Anjou Kings that Antonello came into contact with Franco-Flemish art and the new technique of oil painting. With this altarpiece for the Church of San Cassiano in Venice, Antonello introduced oil technique to northern Italy. What is today just a fragment was originally a high, rectangular panel with eight saints painted full length in a church interior on either side of the Madonna and grouped in a Santa Conversazione. The subtly applied colours better rendered the image of material substance. The Pala of San Cassiano was admired not only by Antonellos contemporaries; its lasting influence on Venetian painting extended from Bellini all the way to Titian.
General Note:
Beginning Date: 1475
General Note:
Completion Date: 1476
General Note:
Inventory: 2574

Record Information

Source Institution:
University of South Florida Library
Holding Location:
University of South Florida
Rights Management:
All applicable rights reserved by the source institution and holding location.
Resource Identifier:
usfldc doi - A01-LIF0001
usfldc handle - a1.lif0001
System ID:
SFS0034510:00001

Full Text
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leader nkm 22 a 4500
controlfield tag 007 kh|mo|
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datafield ind1 8 ind2 024
subfield code a A01-LIF0001
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FHM
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FHmm
1 100
Antonello, da Messina, 1430?-1479.
e Artist : painter
0 245
Pala di San Cassiano.
2 246
Madonna with the Saints Nicholas of Bari, Anastasia, Ursula and Dominic.
260
c 1475-1476
340
b H 115 cm, W 133 cm.
Oil on poplar.
500
Beginning Date: 1475
Completion Date: 1476
Inventory: 2574
520
It was at the Neapolitan court of the Anjou Kings that Antonello came into contact with Franco-Flemish art and the new technique of oil painting. With this altarpiece for the Church of San Cassiano in Venice, Antonello introduced oil technique to northern Italy. What is today just a fragment was originally a high, rectangular panel with eight saints painted full length in a church interior on either side of the Madonna and grouped in a Santa Conversazione. The subtly applied colours better rendered the image of material substance. The Pala of San Cassiano was admired not only by Antonellos contemporaries; its lasting influence on Venetian painting extended from Bellini all the way to Titian.
4 651
Vienna, Austria.
Venice, Italy.
653
Style: Italian Early Renaissance.
School: Early Renaissance.
Movement: Renaissance.
Italian.
Painting;
655
Painting
710
Kunsthistorisches Museum. ID=AVK
773
t Art and Art History Collection (Saskia)