Dana

Citation
Dana

Material Information

Title:
Dana
Creator:
Correggio, 1489?-1534 ( Artist : painter )
Galleria Borghese. ID=IRB
Publication Date:
Language:
English

Subjects

Subjects / Keywords:
Rome, Italy
Style: Italian Mannerist
School: Mannerist
Movement: Mannerism
Italian
Painting;
Genre:
Painting
picture ( marcgt )
Painting

Notes

Summary:
The maiden is reclining on a bed of classical design ornamented with knobs. Nearby Eros, as an intercessor between Zeus and the maiden, and representing divine desire, helps her to hold the sheet, so as not to loose the seed. At their feet two cupids, one wingless and the other winged, and intended as a contrast between "sacred love and profane love", are busy engraving a tablet with an arrow. It is a perfectly handled and balanced scene, that, while reminiscent of Titian's paintings, is not free of influence of Giulio Romano.
General Note:
Inventory: 125

Record Information

Source Institution:
University of South Florida Library
Holding Location:
University of South Florida
Rights Management:
All applicable rights reserved by the source institution and holding location.
Resource Identifier:
A01-LIF0115 ( USFLDC DOI )
a1.lif0115 ( USFLDC Handle )

Postcard Information

Format:
Photograph

Full Text
xml version 1.0 encoding UTF-8 standalone no
record xmlns http:www.loc.govMARC21slim xmlns:xsi http:www.w3.org2001XMLSchema-instance xsi:schemaLocation http:www.loc.govstandardsmarcxmlschemaMARC21slim.xsd
leader nkm 22 a 4500
controlfield tag 007 kh|mo|
008 s flunnn| ||||ineng
datafield ind1 8 ind2 024
subfield code a A01-LIF0115
040
FHM
049
FHmm
1 100
Correggio, 1489?-1534.
e Artist : painter
0 245
Dana
260
c Ca. 1531.
340
b 158 x 189 cm.
Egg Tempera on panel.
500
Inventory: 125
520
The maiden is reclining on a bed of classical design ornamented with knobs. Nearby Eros, as an intercessor between Zeus and the maiden, and representing divine desire, helps her to hold the sheet, so as not to loose the seed. At their feet two cupids, one wingless and the other winged, and intended as a contrast between "sacred love and profane love", are busy engraving a tablet with an arrow. It is a perfectly handled and balanced scene, that, while reminiscent of Titian's paintings, is not free of influence of Giulio Romano.
4 651
Rome, Italy.
653
Style: Italian Mannerist.
School: Mannerist.
Movement: Mannerism
Italian.
Painting;
655
Painting
2 710
Galleria Borghese. ID=IRB
773
t Art and Art History Collection (Saskia)


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