Madonna and Child Enthroned (detail)

Citation
Madonna and Child Enthroned (detail)

Material Information

Title:
Madonna and Child Enthroned (detail)
Alternate title:
Madonna and Child Enthroned with Donor
Creator:
Crivelli, Carlo, 15th cent ( Artist : painter )
Brera. ID=IMB
Language:
English

Subjects

Subjects / Keywords:
Milan, Italy
Style: Italian Early Renaissance
School: Early Renaissance
Movement: Renaissance
Painting
Genre:
Painting
picture ( marcgt )
Painting

Notes

Summary:
Crivelli's painting originally constituted the central section of a polyptych in the parish church at Porto San Giorgio, near Fermi. The crisp, sculptural forms reflect Crivelli's probable training in the humanist center of Padua. Yet the manner in which Crivelli's figures are modeled in light and shade also expresses a broader Renaissance concern with direct observation of nature. The artist's fascination with the use of chiaroscuro to create an illusion of space and tangible substance has created an overall impression of sculptured marble. Note the diminutive donor kneeling in the lower left corner and the crown which, in the order to heighten the illusion of form, has been partly modeled in low relief.
General Note:
Design Date: (signed)
General Note:
Inventory: 207

Record Information

Source Institution:
University of South Florida Library
Holding Location:
University of South Florida
Rights Management:
All applicable rights reserved by the source institution and holding location.
Resource Identifier:
A01-LIF0202 ( USFLDC DOI )
a1.lif0202 ( USFLDC Handle )

Postcard Information

Format:
Photograph

Full Text
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1 100
Crivelli, Carlo, 15th cent.
e Artist : painter
0 245
Madonna and Child Enthroned (detail).
2 246
Madonna and Child Enthroned with Donor.
260
g 1470.
340
b 75 x 218 cm.
c Tempera on panel.
500
Design Date: (signed)
Inventory: 207
520
Crivelli's painting originally constituted the central section of a polyptych in the parish church at Porto San Giorgio, near Fermi. The crisp, sculptural forms reflect Crivelli's probable training in the humanist center of Padua. Yet the manner in which Crivelli's figures are modeled in light and shade also expresses a broader Renaissance concern with direct observation of nature. The artist's fascination with the use of chiaroscuro to create an illusion of space and tangible substance has created an overall impression of sculptured marble. Note the diminutive donor kneeling in the lower left corner and the crown which, in the order to heighten the illusion of form, has been partly modeled in low relief.
4 651
Milan, Italy.
653
Style: Italian Early Renaissance.
School: Early Renaissance.
Movement: Renaissance.
Painting
655
Painting
710
Brera. ID=IMB
773
t Art and Art History Collection (Saskia)
787
Closeup.


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