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Pastoral Concert (F

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Material Information

Title:
Pastoral Concert (F
Alternate title:
Concert champ
Physical Description:
Photograph
Language:
English
Creator:
Giorgione, 1477-1511 ( Artist : painter )
Musee du Louvre. ID=FPL
Publication Date:

Subjects

Subjects / Keywords:
Paris, France
Venice, Italy
Style: Italian High Renaissance
School: High Renaissance
Movement: Renaissance
Venetian
Painting;
Genre:
Painting
Painting
picture   ( marcgt )

Notes

Summary:
The painting has been interpreted as an allegory of Nature, similar to Giorgione's Storm, which was undeniably painted by him; it was even viewed as the first example of the modern herdsman genre. Its message must be more complex than this. It is likely that the master consciously unified several themes in this painting, and the deciphering of symbols required a degree of erudition even at the time of its creation. During the eighteenth century the painting was known by the simple name of "Pastorale" and only subsequently was it given the title "F
General Note:
Inventory: 71

Record Information

Source Institution:
University of South Florida Library
Holding Location:
University of South Florida
Rights Management:
All applicable rights reserved by the source institution and holding location.
Resource Identifier:
usfldc doi - A01-LIF0258
usfldc handle - a1.lif0258
System ID:
SFS0034542:00001

Full Text
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record xmlns http:www.loc.govMARC21slim xmlns:xsi http:www.w3.org2001XMLSchema-instance xsi:schemaLocation http:www.loc.govstandardsmarcxmlschemaMARC21slim.xsd
leader nkm 22 a 4500
controlfield tag 007 kh|mo|
008 s flunnn| ||||ineng
datafield ind1 8 ind2 024
subfield code a A01-LIF0258
040
FHM
049
FHmm
1 100
Giorgione, 1477-1511.
e Artist : painter
0 245
Pastoral Concert (F
2 246
Concert champ
260
c 1508-09
340
Canvas
b 110 x 138 cm
Oil on canvas.
500
Inventory: 71
520
The painting has been interpreted as an allegory of Nature, similar to Giorgione's Storm, which was undeniably painted by him; it was even viewed as the first example of the modern herdsman genre. Its message must be more complex than this. It is likely that the master consciously unified several themes in this painting, and the deciphering of symbols required a degree of erudition even at the time of its creation. During the eighteenth century the painting was known by the simple name of "Pastorale" and only subsequently was it given the title "F
4 651
Paris, France
Venice, Italy
653
Style: Italian High Renaissance.
School: High Renaissance.
Movement: Renaissance.
Venetian.
Painting;
655
Painting
710
Musee du Louvre. ID=FPL
773
t Art and Art History Collection (Saskia)