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Ecce Homo

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Material Information

Title:
Ecce Homo
Physical Description:
Photograph
Language:
English
Creator:
Titian, ca. 1488-1576 ( Artist : painter )
Austria, Vienna, Kunsthistorisches Museum. ID=AVK
Publication Date:

Subjects

Subjects / Keywords:
Vienna, Austria
Florence, Italy
Style: Italian High Renaissance
School: High Renaissance
Movement: Renaissance
Italian
Painting;
Genre:
Painting
Painting
picture   ( marcgt )

Notes

Summary:
During the 1540s, the compositional principles of Mannerism can be found in Titians work. The painting "Ecce Homo (dated 1543) comes from this brief period. Influenced by Michelangelo and his circle in Florence and Rome, Titian assumes their predilection for asymmetric composition. The treatment advances rapidly from lower right to upper left, and the main figure of Christ is found, amazingly enough, not in the centre as was customary but at the outermost edge of the canvas. Additional Mannerist devices may be seen here in the vigorous movement motifs and the uneven use of colour, sometimes dull and then again aggressive.
General Note:
Design Date: 1543 (signed & dated)
General Note:
Inventory: 73

Record Information

Source Institution:
University of South Florida Library
Holding Location:
University of South Florida
Rights Management:
All applicable rights reserved by the source institution and holding location.
Resource Identifier:
usfldc doi - A01-LIF0531
usfldc handle - a1.lif0531
System ID:
SFS0034572:00001

Full Text
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record xmlns http:www.loc.govMARC21slim xmlns:xsi http:www.w3.org2001XMLSchema-instance xsi:schemaLocation http:www.loc.govstandardsmarcxmlschemaMARC21slim.xsd
leader nkm 22 a 4500
controlfield tag 007 kh|mo|
008 s flunnn| ||||ineng
datafield ind1 8 ind2 024
subfield code a A01-LIF0531
040
FHM
049
FHmm
1 100
Titian, ca. 1488-1576.
e Artist : painter
0 245
Ecce Homo.
260
c 1543
340
b 242 x 361 cm.
Oil on canvas.
500
Design Date: 1543 (signed & dated)
Inventory: 73
520
During the 1540s, the compositional principles of Mannerism can be found in Titians work. The painting "Ecce Homo (dated 1543) comes from this brief period. Influenced by Michelangelo and his circle in Florence and Rome, Titian assumes their predilection for asymmetric composition. The treatment advances rapidly from lower right to upper left, and the main figure of Christ is found, amazingly enough, not in the centre as was customary but at the outermost edge of the canvas. Additional Mannerist devices may be seen here in the vigorous movement motifs and the uneven use of colour, sometimes dull and then again aggressive.
4 651
Vienna, Austria.
Florence, Italy.
653
Style: Italian High Renaissance.
School: High Renaissance.
Movement: Renaissance.
Italian.
Painting;
655
Painting
2 710
Austria, Vienna, Kunsthistorisches Museum. ID=AVK
773
t Art and Art History Collection (Saskia)