Ecce Homo (detail)

Citation
Ecce Homo (detail)

Material Information

Title:
Ecce Homo (detail)
Creator:
Titian, ca. 1488-1576 ( Artist : painter )
Kunsthistorisches Museum. ID=AVK
Language:
English

Subjects

Subjects / Keywords:
Vienna, Austria
Florence, Italy
Style: Italian High Renaissance
School: High Renaissance
Movement: Renaissance
Italian
Painting;
Genre:
Painting
picture ( marcgt )
Painting

Notes

Summary:
Pontius Pilate, the Roman procurator of Jerusalem, leads Christ, after his questioning and scourging, before the masses and says, "Ecce homo! (Behold the man!) and offers his release. The masses, however, demand his crucifixion. Within the pictorial setting of the ancient Roman Empire, Titian mixes time periods together by introducing the current Habsburg imperial house into the scene. (He had been their titled court painter since 1533.) The double eagle on the shield and next to it the addition to the signature of eques ces(aris) imperial knight were signs of homage paid by Titian to his Habsburg sovereigns.
General Note:
Design Date: 1543 (signed & dated)
General Note:
Inventory: 73

Record Information

Source Institution:
University of South Florida Library
Holding Location:
University of South Florida
Rights Management:
All applicable rights reserved by the source institution and holding location.
Resource Identifier:
A01-LIF0532 ( USFLDC DOI )
a1.lif0532 ( USFLDC Handle )

Postcard Information

Format:
Photograph

Full Text
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record xmlns http:www.loc.govMARC21slim xmlns:xsi http:www.w3.org2001XMLSchema-instance xsi:schemaLocation http:www.loc.govstandardsmarcxmlschemaMARC21slim.xsd
leader nkm 22 a 4500
controlfield tag 007 kh|mo|
008 s flunnn| ||||ineng
datafield ind1 8 ind2 024
subfield code a A01-LIF0532
040
FHM
049
FHmm
1 100
Titian, ca. 1488-1576.
e Artist : painter
0 245
Ecce Homo (detail).
260
g 1543
340
b 242 x 361 cm.
c Oil on canvas.
500
Design Date: 1543 (signed & dated)
Inventory: 73
520
Pontius Pilate, the Roman procurator of Jerusalem, leads Christ, after his questioning and scourging, before the masses and says, "Ecce homo! (Behold the man!) and offers his release. The masses, however, demand his crucifixion. Within the pictorial setting of the ancient Roman Empire, Titian mixes time periods together by introducing the current Habsburg imperial house into the scene. (He had been their titled court painter since 1533.) The double eagle on the shield and next to it the addition to the signature of eques ces(aris) imperial knight were signs of homage paid by Titian to his Habsburg sovereigns.
4 651
Vienna, Austria.
Florence, Italy.
653
Style: Italian High Renaissance.
School: High Renaissance.
Movement: Renaissance.
Italian.
Painting;
655
Painting
2 710
Kunsthistorisches Museum. ID=AVK
773
t Art and Art History Collection (Saskia)
787
Closeup-center with mother and child.


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