Ecce Homo (detail)

Citation
Ecce Homo (detail)

Material Information

Title:
Ecce Homo (detail)
Creator:
Titian, ca. 1488-1576
Kunsthistorisches Museum. ID=AVK
Language:
English

Subjects

Subjects / Keywords:
Vienna, Austria
Florence, Italy
Style: Italian High Renaissance
School: High Renaissance
Movement: Renaissance
Italian
Painting;
Genre:
Painting
picture ( marcgt )
Painting

Notes

Summary:
The main figure of Christ is found not in the centre as was customary but at the outermost edge of the canvas. Additional Mannerist devices may be seen here in the vigorous movement motifs and the uneven use of colour, sometimes dull and then again aggressive. The painting was conceived for the city palace (on the Grand Canal) of the Flemish businessman Giovanni dAnna (actually, van Haanen). This explains the pictures theme, rarely found in Italy but highly regarded in the North. Depicted is the dramatic and portentous scene (John 19:4-16) in which Pontius Pilate, the Roman procurator of Jerusalem, leads Christ, after his questioning and scourging, before the masses and says, "Ecce homo! (Behold the man!) and offers his release.
General Note:
Design Date: 1543 (signed & dated)
General Note:
Inventory: 73

Record Information

Source Institution:
University of South Florida Library
Holding Location:
University of South Florida
Rights Management:
All applicable rights reserved by the source institution and holding location.
Resource Identifier:
A01-LIF0533 ( USFLDC DOI )
a1.lif0533 ( USFLDC Handle )

Postcard Information

Format:
Photograph

Full Text
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record xmlns http:www.loc.govMARC21slim xmlns:xsi http:www.w3.org2001XMLSchema-instance xsi:schemaLocation http:www.loc.govstandardsmarcxmlschemaMARC21slim.xsd
leader nkm 22 a 4500
controlfield tag 007 kh|mo|
008 s flunnn| ||||ineng
datafield ind1 8 ind2 024
subfield code a A01-LIF0533
040
FHM
049
FHmm
1 100
Titian, ca. 1488-1576.
j Italy
0 245
Ecce Homo (detail).
260
g 1543
340
b 242 x 361 cm.
c Oil on canvas.
500
Design Date: 1543 (signed & dated)
Inventory: 73
520
The main figure of Christ is found not in the centre as was customary but at the outermost edge of the canvas. Additional Mannerist devices may be seen here in the vigorous movement motifs and the uneven use of colour, sometimes dull and then again aggressive. The painting was conceived for the city palace (on the Grand Canal) of the Flemish businessman Giovanni dAnna (actually, van Haanen). This explains the pictures theme, rarely found in Italy but highly regarded in the North. Depicted is the dramatic and portentous scene (John 19:4-16) in which Pontius Pilate, the Roman procurator of Jerusalem, leads Christ, after his questioning and scourging, before the masses and says, "Ecce homo! (Behold the man!) and offers his release.
4 651
Vienna, Austria.
Florence, Italy.
653
Style: Italian High Renaissance.
School: High Renaissance.
Movement: Renaissance.
Italian.
Painting;
655
Painting
2 710
Kunsthistorisches Museum. ID=AVK
773
t Art and Art History Collection (Saskia)
787
Closeup-Christ being shown


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