The Tempest (The Storm)

Citation
The Tempest (The Storm)

Material Information

Title:
The Tempest (The Storm)
Creator:
Giorgione, 1477-1511 ( Artist : painter )
Museo dell'Academia. ID=IVA
Publication Date:
Language:
English

Subjects

Subjects / Keywords:
Venice, Italy
Style: Italian High Renaissance
School: High Renaissance
Movement: Renaissance
Venetian
Painting;
Genre:
Painting
picture ( marcgt )
Painting

Notes

Summary:
This painting marks a moment of capital importance in the renovation of the Venetian style painting.The fascination of the painting arises from the pictorial realization of the illustrative elements. In the vibrant brightness which immediately precedes the breaking of the storm the chromatic values follow one another in fluid gradations achieved by the modulation of the tones in the fused dialectic of light and shadow in an airy perspective of atmospheric value within a definite space. Completely liberated from any subjection to drawing or perspective, colour is the dominant value in a new spacial-atmospheric synthesis which is fundamental to the art of painting in its modern sense.

Record Information

Source Institution:
University of South Florida Library
Holding Location:
University of South Florida
Rights Management:
All applicable rights reserved by the source institution and holding location.
Resource Identifier:
A01-LIF0611 ( USFLDC DOI )
a1.lif0611 ( USFLDC Handle )

Postcard Information

Format:
Photograph

Full Text
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record xmlns http:www.loc.govMARC21slim xmlns:xsi http:www.w3.org2001XMLSchema-instance xsi:schemaLocation http:www.loc.govstandardsmarcxmlschemaMARC21slim.xsd
leader nkm 22 a 4500
controlfield tag 007 kh|mo|
008 s flunnn| ||||ineng
datafield ind1 8 ind2 024
subfield code a A01-LIF0611
040
FHM
049
FHmm
1 100
Giorgione, 1477-1511.
e Artist : painter
0 245
The Tempest (The Storm).
260
c C. 1505.
340
b 82 x 73 cm.
Oil on canvas.
520
This painting marks a moment of capital importance in the renovation of the Venetian style painting.The fascination of the painting arises from the pictorial realization of the illustrative elements. In the vibrant brightness which immediately precedes the breaking of the storm the chromatic values follow one another in fluid gradations achieved by the modulation of the tones in the fused dialectic of light and shadow in an airy perspective of atmospheric value within a definite space. Completely liberated from any subjection to drawing or perspective, colour is the dominant value in a new spacial-atmospheric synthesis which is fundamental to the art of painting in its modern sense.
4 651
Venice, Italy.
653
Style: Italian High Renaissance.
School: High Renaissance.
Movement: Renaissance.
Venetian.
Painting;
655
Painting
2 710
Museo dell'Academia. ID=IVA
773
t Art and Art History Collection (Saskia)


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