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The Tempest (The Storm)(detail)

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Material Information

Title:
The Tempest (The Storm)(detail)
Physical Description:
Photograph
Language:
English
Creator:
Giorgione, 1477-1511
Museo dell'Academia. ID=IVA

Subjects

Subjects / Keywords:
Venice, Itlay
Style: Italian High Renaissance
School: High Renaissance
Movement: Renaissance
Venetian
Painting;
Genre:
Painting
Painting.
picture   ( marcgt )

Notes

Summary:
This painting, the meaning of which has been greatly debated, marks a moment of capital importance in the renovation of the Venetian style painting, and perhaps is the most representative of the very few genuine surviving works of Giorgione.The vigour of cultural life at the beginning of the sixteenth century provided exactly the right fertile ground for the personality of Giorgione. With Giovanni Bellini and Vittore Carpaccio as examples in his early training and with his attentive interest in Northern European painting of Belgium he soon decided to attempt a naturalistic language. Colour attains to new all-important powers of expression of the poetic equivalence of man and nature in a single, fearful apprehension o,f the cosmos.

Record Information

Source Institution:
University of South Florida Library
Holding Location:
University of South Florida
Rights Management:
All applicable rights reserved by the source institution and holding location.
Resource Identifier:
usfldc doi - A01-LIF0612
usfldc handle - a1.lif0612
System ID:
SFS0034585:00001

Full Text
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FHmm
1 100
Giorgione, 1477-1511.
j Italy
0 245
The Tempest (The Storm)(detail).
340
b 82 x 73 cm.
c Oil on canvas.
520
This painting, the meaning of which has been greatly debated, marks a moment of capital importance in the renovation of the Venetian style painting, and perhaps is the most representative of the very few genuine surviving works of Giorgione.The vigour of cultural life at the beginning of the sixteenth century provided exactly the right fertile ground for the personality of Giorgione. With Giovanni Bellini and Vittore Carpaccio as examples in his early training and with his attentive interest in Northern European painting of Belgium he soon decided to attempt a naturalistic language. Colour attains to new all-important powers of expression of the poetic equivalence of man and nature in a single, fearful apprehension o,f the cosmos.
4 651
Venice, Itlay.
653
Style: Italian High Renaissance.
School: High Renaissance.
Movement: Renaissance.
Venetian.
Painting;
655
Painting.
2 710
Museo dell'Academia. ID=IVA
773
t Art and Art History Collection (Saskia)
787
g Closeup; woman breast feeding child.