Crucifixion (Panel from the Pisa Altar) (detail)

Citation
Crucifixion (Panel from the Pisa Altar) (detail)

Material Information

Title:
Crucifixion (Panel from the Pisa Altar) (detail)
Alternate title:
Pisa Polyptych (one of eleven panels)
Creator:
Masaccio, 1401-1428? ( Artist : painter )
Museo Capodimonte. ID=INC
Language:
English

Subjects

Subjects / Keywords:
Naples, Italy
Pisa, Italy; Church of the Carmine
Style: Italian Early Renaissance
School: Early Renaissance
Movement: Renaissance
Italian
Painting;
Genre:
Painting
picture ( marcgt )
Painting

Notes

Summary:
On February 19th 1426 Masaccio agreed to paint an altarpiece for a chapel in the church of the Carmine in Pisa for the sum of 80 florins. On December 26th of that year the work must have been already completed since payment for it is recorded on this date. Vasari gave a detailed description of the work which was the basis for art critics for the attempt at reconstruction and for the recovery and identification of the work which was dismantled and dispersed in the 18th century. Only eleven pieces have so far come to light and they are not sufficient to enable a reliable reconstruction of the whole work. The Crucifixion is one of the eleven panels connected with the Pisa Polyptych.
General Note:
Inventory: 36

Record Information

Source Institution:
University of South Florida Library
Holding Location:
University of South Florida
Rights Management:
All applicable rights reserved by the source institution and holding location.
Resource Identifier:
A01-LIF1405 ( USFLDC DOI )
a1.lif1405 ( USFLDC Handle )

Postcard Information

Format:
Photograph

Full Text
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1 100
Masaccio, 1401-1428?
e Artist : painter
0 245
Crucifixion (Panel from the Pisa Altar) (detail).
2 246
Pisa Polyptych (one of eleven panels).
260
g 1426.
340
b 83 x 63.5 cm
c Tempera on wood panel.
500
Inventory: 36
520
On February 19th 1426 Masaccio agreed to paint an altarpiece for a chapel in the church of the Carmine in Pisa for the sum of 80 florins. On December 26th of that year the work must have been already completed since payment for it is recorded on this date. Vasari gave a detailed description of the work which was the basis for art critics for the attempt at reconstruction and for the recovery and identification of the work which was dismantled and dispersed in the 18th century. Only eleven pieces have so far come to light and they are not sufficient to enable a reliable reconstruction of the whole work. The Crucifixion is one of the eleven panels connected with the Pisa Polyptych.
4 651
Naples, Italy.
Pisa, Italy; Church of the Carmine.
653
Style: Italian Early Renaissance.
School: Early Renaissance.
Movement: Renaissance.
Italian.
Painting;
655
Painting
710
Museo Capodimonte. ID=INC
773
t Art and Art History Collection (Saskia)
787
Closeup-detail with Christ and St. John.


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