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Noli me Tangere

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Material Information

Title:
Noli me Tangere
Physical Description:
Photograph
Language:
English
Creator:
Correggio, 1489?-1534 ( Artist : painter )
Spain, Madrid, Prado. ID=SMP
Publication Date:

Subjects

Subjects / Keywords:
Madrid, Spain
Italy
Style: Italian Mannerist
School: Mannerist
Movement: Mannerism
Italian
Painting;
Genre:
Painting
Painting
picture   ( marcgt )

Notes

Summary:
Untempted by Rome, Florence or Venice, Correggio, working in the North Italian city of Parma, maintained his originality throughout the High Renaissance and became one of the most important influences on seventeenth-century Baroque painting. However, he was receptive to the art particularly of Raphael and Leonardo: his sense of ideal beauty and the structure of his compositions owe much to Raphael, while his handling of textures and light presupposes Leonardo. In this work he uses a pyramidal composition of classic High Renaissance kind and a diagonal movement anticipating the Baroque. The beautiful landscape evokes the light of dawn, the time when Mary Magdalene met Christ by the tomb.
General Note:
Inventory: 111

Record Information

Source Institution:
University of South Florida Library
Holding Location:
University of South Florida
Rights Management:
All applicable rights reserved by the source institution and holding location.
Resource Identifier:
usfldc doi - A01-LIF1851
usfldc handle - a1.lif1851
System ID:
SFS0034724:00001

Full Text
xml version 1.0 encoding UTF-8 standalone no
record xmlns http:www.loc.govMARC21slim xmlns:xsi http:www.w3.org2001XMLSchema-instance xsi:schemaLocation http:www.loc.govstandardsmarcxmlschemaMARC21slim.xsd
leader nkm 22 a 4500
controlfield tag 007 kh|mo|
008 s flunnn| ||||ineng
datafield ind1 8 ind2 024
subfield code a A01-LIF1851
040
FHM
049
FHmm
1 100
Correggio, 1489?-1534.
e Artist : painter
0 245
Noli me Tangere.
260
c Ca. 1525.
340
b 130 x 103 cm.
Oil on canvas.
500
Inventory: 111
520
Untempted by Rome, Florence or Venice, Correggio, working in the North Italian city of Parma, maintained his originality throughout the High Renaissance and became one of the most important influences on seventeenth-century Baroque painting. However, he was receptive to the art particularly of Raphael and Leonardo: his sense of ideal beauty and the structure of his compositions owe much to Raphael, while his handling of textures and light presupposes Leonardo. In this work he uses a pyramidal composition of classic High Renaissance kind and a diagonal movement anticipating the Baroque. The beautiful landscape evokes the light of dawn, the time when Mary Magdalene met Christ by the tomb.
4 651
Madrid, Spain.
Italy.
653
Style: Italian Mannerist.
School: Mannerist.
Movement: Mannerism.
Italian.
Painting;
655
Painting
2 710
Spain, Madrid, Prado. ID=SMP
773
t Art and Art History Collection (Saskia)