Old Man with a Young Boy (detail)

Citation
Old Man with a Young Boy (detail)

Material Information

Title:
Old Man with a Young Boy (detail)
Alternate title:
Portrait of an Old man with a Young Boy
Creator:
Ghirlandaio, Domenico, 1449-1494 ( Artist : painter )
Musee du Louvre. ID=FPL
Language:
English

Subjects

Subjects / Keywords:
Paris, France
Style: Italian Early Renaissance
School: Early Renaissance
Movement: Renaissance
Florentine
Painting;
Genre:
Painter
picture ( marcgt )
Painter

Notes

Summary:
Ghirlandaio is best known for his frescoes, in which he often set religious subjects in a secular setting and in which he included recognizable portraits. His largest commission, completed in 1490, depicting scenes from the lives of the Virgin and St John the Baptist, was in the Santa Maria Novella, Florence. Ironically, in An Old Man and his Grandson, one of his best works, the identity of the protagonists remains a mystery. This naturalistic double portrait is an intimate and moving portrayal of a tender relationship between doting age and attendant youth. The loving young boy is oblivious to the old man's unfortunate physiognomy, a symptom of rhinophyma, from which he suffered.
General Note:
Inventory: R.F.266

Record Information

Source Institution:
University of South Florida Library
Holding Location:
University of South Florida
Rights Management:
All applicable rights reserved by the source institution and holding location.
Resource Identifier:
A01-LIF2327 ( USFLDC DOI )
a1.lif2327 ( USFLDC Handle )

Postcard Information

Format:
Photograph

Full Text
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Ghirlandaio, Domenico, 1449-1494.
e Artist : painter
0 245
Old Man with a Young Boy (detail).
2 246
Portrait of an Old man with a Young Boy.
260
g Ca. 1480
340
b 63 x 46 cm.
c Tempera on wood.
500
Inventory: R.F.266
520
Ghirlandaio is best known for his frescoes, in which he often set religious subjects in a secular setting and in which he included recognizable portraits. His largest commission, completed in 1490, depicting scenes from the lives of the Virgin and St John the Baptist, was in the Santa Maria Novella, Florence. Ironically, in An Old Man and his Grandson, one of his best works, the identity of the protagonists remains a mystery. This naturalistic double portrait is an intimate and moving portrayal of a tender relationship between doting age and attendant youth. The loving young boy is oblivious to the old man's unfortunate physiognomy, a symptom of rhinophyma, from which he suffered.
4 651
Paris, France.
653
Style: Italian Early Renaissance.
School: Early Renaissance.
Movement: Renaissance.
Florentine.
Painting;
655
Painter
710
Musee du Louvre. ID=FPL
773
t Art and Art History Collection (Saskia)
787
Closeup; young boy with curls


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