Esther and Mordecai

Citation
Esther and Mordecai

Material Information

Title:
Esther and Mordecai
Creator:
Gelder, Aert de, 1645-1727 ( Artist : painter )
Staatliche Kunstsammlungen, Alte Meister (Old Masters). ID=GDAM
Publication Date:
Language:
English

Subjects

Subjects / Keywords:
Dresden, Germany
Holland
Style: Dutch Baroque
School: Baroque
Movement: Baroque
Dutch
Painting;
Genre:
Painting
picture ( marcgt )
Painting

Notes

Summary:
Aert de Gelder was one of Rembrandt's last pupils and continued to work in the spirit and style of his master long after other pupils, for instance, Maes, Gerbrand van den Eeckhout and Jan Lievens, had succumbed to the fashionable trend towards smooth and perfunctory painting. Like his master, he loved rich properties and colourful draperies, his studio was a veritable gallery of antiques, full of ancient weapons, silks and all kinds of utensils, and he used manikins for the sake of greater authenticity, carefully dressing them to suit the requirements of his theme. He painted with broad strokes of the brush, as Rembrandt had, and created warm tonalities and colour harmonies.
General Note:
Inventory: 1792A

Record Information

Source Institution:
University of South Florida Library
Holding Location:
University of South Florida
Rights Management:
All applicable rights reserved by the source institution and holding location.
Resource Identifier:
A01-MHF1220 ( USFLDC DOI )
a1.mhf1220 ( USFLDC Handle )

Postcard Information

Format:
Photograph

Full Text
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record xmlns http:www.loc.govMARC21slim xmlns:xsi http:www.w3.org2001XMLSchema-instance xsi:schemaLocation http:www.loc.govstandardsmarcxmlschemaMARC21slim.xsd
leader nkm 22 a 4500
controlfield tag 007 kh|mo|
008 s flunnn| ||||ineng
datafield ind1 8 ind2 024
subfield code a A01-MHF1220
040
FHM
049
FHmm
1 100
Gelder, Aert de, 1645-1727.
e Artist : painter
0 245
Esther and Mordecai.
260
c Ca. 1658
340
b 93 x 148.5 cm.
Oil on canvas.
500
Inventory: 1792A
520
Aert de Gelder was one of Rembrandt's last pupils and continued to work in the spirit and style of his master long after other pupils, for instance, Maes, Gerbrand van den Eeckhout and Jan Lievens, had succumbed to the fashionable trend towards smooth and perfunctory painting. Like his master, he loved rich properties and colourful draperies, his studio was a veritable gallery of antiques, full of ancient weapons, silks and all kinds of utensils, and he used manikins for the sake of greater authenticity, carefully dressing them to suit the requirements of his theme. He painted with broad strokes of the brush, as Rembrandt had, and created warm tonalities and colour harmonies.
4 651
Dresden, Germany.
Holland.
653
Style: Dutch Baroque.
School: Baroque.
Movement: Baroque.
Dutch.
Painting;
655
Painting
2 710
Staatliche Kunstsammlungen, Alte Meister (Old Masters). ID=GDAM
773
t Art and Art History Collection (Saskia)


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