Breakfast Still Life with Blackberry Pie

Citation
Breakfast Still Life with Blackberry Pie

Material Information

Title:
Breakfast Still Life with Blackberry Pie
Creator:
Heda, Willem Claesz, 1594-1680? ( Artist : painter )
Staatliche Kunstsammlungen, Alte Meister (Old Masters). ID=GDAM
Publication Date:
Language:
English

Subjects

Subjects / Keywords:
Dresden, Germany
Netherlands
Style: Dutch Baroque Era
School: Dutch Baroque
Movement: Baroque
oil paintings -- ( aat )
still lifes -- ( aat )
Genre:
picture ( marcgt )

Notes

Summary:
In the early 1630s Heda began to use the compositional structures. He placed the white tablecloth on the left or right-hand edge of the table, so that the middle of the table is not covered and is no longer symmetric. In subsequent 'banketjes' (banquet pieces), the tablecloth was pushed further and further aside - as early as 1638 in Heda's paintings - until it was actually crumpled. Whereas for quite some time food was shown as almost untouchable, precious and just for display, increasing traces of consumption are now visible. The objects were no longer merely intended to embody status-defining values, but became evidence of spontaneous acts which disrupted the festive structures of the framework.
General Note:
Design Date: 1631 (signed & dated)
General Note:
Inventory: 1371

Record Information

Source Institution:
University of South Florida Library
Holding Location:
University of South Florida
Rights Management:
All applicable rights reserved by the source institution and holding location.
Resource Identifier:
A01-MHF1236 ( USFLDC DOI )
a1.mhf1236 ( USFLDC Handle )

Postcard Information

Format:
Photograph

Full Text
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subfield code a A01-MHF1236
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1 100
Heda, Willem Claesz, 1594-1680?
e Artist : painter
0 245
Breakfast Still Life with Blackberry Pie.
260
c 1631
340
b 54 x 82 cm
Oil on wood.
500
Design Date: 1631 (signed & dated)
Inventory: 1371
520
In the early 1630s Heda began to use the compositional structures. He placed the white tablecloth on the left or right-hand edge of the table, so that the middle of the table is not covered and is no longer symmetric. In subsequent 'banketjes' (banquet pieces), the tablecloth was pushed further and further aside as early as 1638 in Heda's paintings until it was actually crumpled. Whereas for quite some time food was shown as almost untouchable, precious and just for display, increasing traces of consumption are now visible. The objects were no longer merely intended to embody status-defining values, but became evidence of spontaneous acts which disrupted the festive structures of the framework.
4 651
Dresden, Germany.
Netherlands.
653
Style: Dutch Baroque Era.
School: Dutch Baroque.
Movement: Baroque.
654
v
oil paintings --
f
Baroque.
2 aat
v
still lifes --
f
Baroque.
aat
710
Staatliche Kunstsammlungen, Alte Meister (Old Masters). ID=GDAM
773
t Art and Art History Collection (Saskia)
049
FHmm


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