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The Triumph of Divine Providence (detail)

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Material Information

Title:
The Triumph of Divine Providence (detail)
Physical Description:
Photograph
Language:
English
Creator:
Pietro, da Cortona, 1596-1669 ( Artist : painter )

Subjects

Subjects / Keywords:
Rome, Italy
Rome, Italy (Palazzo Barberini)
Style: Italian Baroque
School: Baroque
Movement: Baroque
Italian
Painting;
Genre:
Painting
Painting
picture   ( marcgt )

Notes

Summary:
The orderly clarity of Annibale Carracci's frescos in Palazzo Farnese was replaced by a turbulent composition that was full of spiraling movement. Everything combines to underline the vibrant dynamism of the work. The large scudding clouds and the perspective viewpoints looking up from below were probably inspired by Correggio's examples. But the brand new ingredient was Pietro da Cortona's desire to turn the fresco into a total work of art. The spectator was intended to lose his perception of space when he looked at it and become caught up in a spiritual and esthetic ecstasy. In this scene the triumphs of the Barberini dynasty are nearly as apparent as those of Divine Providence.
General Note:
Beginning Date: 1633.
General Note:
Completion Date: 1639.

Record Information

Source Institution:
University of South Florida Library
Holding Location:
University of South Florida
Rights Management:
All applicable rights reserved by the source institution and holding location.
Resource Identifier:
usfldc doi - A01-MIF0595
usfldc handle - a1.mif0595
System ID:
SFS0035080:00001

Full Text
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Pietro, da Cortona, 1596-1669.
e Artist : painter
0 245
The Triumph of Divine Providence (detail).
260
g 1633-39.
340
c Fresco.
500
Beginning Date: 1633.
Completion Date: 1639.
520
The orderly clarity of Annibale Carracci's frescos in Palazzo Farnese was replaced by a turbulent composition that was full of spiraling movement. Everything combines to underline the vibrant dynamism of the work. The large scudding clouds and the perspective viewpoints looking up from below were probably inspired by Correggio's examples. But the brand new ingredient was Pietro da Cortona's desire to turn the fresco into a total work of art. The spectator was intended to lose his perception of space when he looked at it and become caught up in a spiritual and esthetic ecstasy. In this scene the triumphs of the Barberini dynasty are nearly as apparent as those of Divine Providence.
4 651
Rome, Italy.
Rome, Italy (Palazzo Barberini).
653
Style: Italian Baroque.
School: Baroque.
Movement: Baroque.
Italian.
Painting;
655
Painting
773
t Art and Art History Collection (Saskia)
787
Close-up; detail of SW corne.