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Madonna of the People (detail)

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Material Information

Title:
Madonna of the People (detail)
Alternate title:
Virgin of the people
Physical Description:
Photograph
Language:
English
Creator:
Barocci, Federigo, 1528-1612 ( Artist : painter )
Galleria degli Uffizi. ID=IFU

Subjects

Subjects / Keywords:
Florence, Italy
Florence, Italy : Pieve in Arezzo
Style: Italian Mannerist
School: Mannerist
Movement: Mannerism
Florentine
Painting;
Genre:
Painting
Painting
picture   ( marcgt )

Notes

Summary:
The fact that he was not in the centre of the cultural world did not stop Barocci from wielding decisive influence, thanks also to the way that he stuck exactly to the Counter-Reformation's tenets on religious art drawn up at the Council of Trent. His compositions had a simple and direct fluidity and included touching details from everyday life. This did not, however, stop him from attempting more ambitious compositions from time to time, such as The Madonna del Popolo (The Virgin of the People) .
General Note:
Design Date: 1579 (signed)

Record Information

Source Institution:
University of South Florida Library
Holding Location:
University of South Florida
Rights Management:
All applicable rights reserved by the source institution and holding location.
Resource Identifier:
usfldc doi - A01-MIF0985
usfldc handle - a1.mif0985
System ID:
SFS0035084:00001

Full Text
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record xmlns http:www.loc.govMARC21slim xmlns:xsi http:www.w3.org2001XMLSchema-instance xsi:schemaLocation http:www.loc.govstandardsmarcxmlschemaMARC21slim.xsd
leader nkm 22 a 4500
controlfield tag 007 kh|mo|
008 s flunnn| ||||ineng
datafield ind1 8 ind2 024
subfield code a A01-MIF0985
040
FHM
049
FHmm
1 100
Barocci, Federigo, 1528-1612.
e Artist : painter
0 245
Madonna of the People (detail).
2 246
Virgin of the people.
260
g 1579
340
b 359 x 252 cm.
c Oil on wood.
500
Design Date: 1579 (signed)
520
The fact that he was not in the centre of the cultural world did not stop Barocci from wielding decisive influence, thanks also to the way that he stuck exactly to the Counter-Reformation's tenets on religious art drawn up at the Council of Trent. His compositions had a simple and direct fluidity and included touching details from everyday life. This did not, however, stop him from attempting more ambitious compositions from time to time, such as The Madonna del Popolo (The Virgin of the People) .
4 651
Florence, Italy.
Florence, Italy : Pieve in Arezzo
653
Style: Italian Mannerist.
School: Mannerist.
Movement: Mannerism.
Florentine.
Painting;
655
Painting
710
Galleria degli Uffizi. ID=IFU
773
t Art and Art History Collection (Saskia)
787
Closeup-the Madonna working among the poor.