Venetian Lady of the Barbarigo Family

Citation
Venetian Lady of the Barbarigo Family

Material Information

Title:
Venetian Lady of the Barbarigo Family
Creator:
Carriera, Rosalba, 1675-1757 ( Artist : painter )
Staatliche Kunstsammlungen, Alte Meister (Old Masters). ID=GDAM
Publication Date:
Language:
English

Subjects

Subjects / Keywords:
Dresden, Germany
Style: Italian Rococo
School: Rococo
Movement: Rococo
Venetian
Painting;
Genre:
Paintings
picture ( marcgt )
Paintings

Notes

Summary:
At first, pastels were reserved for the quick, color sketches for which they were designed. But gradually, because of the speed with which they could be used, they became popular with those lacking the time and patience to sit for an oil portrait. And, being done on paper, not to mention mostly by women, they were no doubt cheaper than oils. But Carriera not only proved the equal to any male portrait painter in Venice, but also proved pastels the equal of oils in their richness, color, and handling. She was accepted as one of the few female members of the Guild of St. Luke (doctors and artists) and later, the French Academy.
General Note:
Beginning Date: 1735
General Note:
Completion Date: 1740
General Note:
Inventory: P16

Record Information

Source Institution:
University of South Florida Library
Holding Location:
University of South Florida
Rights Management:
All applicable rights reserved by the source institution and holding location.
Resource Identifier:
A01-MIF2126 ( USFLDC DOI )
a1.mif2126 ( USFLDC Handle )

Postcard Information

Format:
Photograph

Full Text
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record xmlns http:www.loc.govMARC21slim xmlns:xsi http:www.w3.org2001XMLSchema-instance xsi:schemaLocation http:www.loc.govstandardsmarcxmlschemaMARC21slim.xsd
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datafield ind1 8 ind2 024
subfield code a A01-MIF2126
040
FHM
049
FHmm
1 100
Carriera, Rosalba, 1675-1757.
e Artist : painter
0 245
Venetian Lady of the Barbarigo Family.
260
c Ca. 1735-40
340
b 42 x 33 cm.
Pastel on paper.
500
Beginning Date: 1735
Completion Date: 1740
Inventory: P16
520
At first, pastels were reserved for the quick, color sketches for which they were designed. But gradually, because of the speed with which they could be used, they became popular with those lacking the time and patience to sit for an oil portrait. And, being done on paper, not to mention mostly by women, they were no doubt cheaper than oils. But Carriera not only proved the equal to any male portrait painter in Venice, but also proved pastels the equal of oils in their richness, color, and handling. She was accepted as one of the few female members of the Guild of St. Luke (doctors and artists) and later, the French Academy.
4 651
Dresden, Germany.
653
Style: Italian Rococo.
School: Rococo.
Movement: Rococo.
Venetian.
Painting;
655
Paintings
2 710
Staatliche Kunstsammlungen, Alte Meister (Old Masters). ID=GDAM
773
t Art and Art History Collection (Saskia)


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