The Painter
| Citation |
- Permanent Link:
- http://digital.lib.usf.edu/SFS0035308/00001
Material Information
- Title:
- The Painter
- Creator:
- Daumier, Honor ( Artist : painter )
Musee des Beaux Arts. ID=FRM
- Publication Date:
- Ca. 1867
- Language:
- English
Subjects
- Subjects / Keywords:
- Reims, France
Paris, France
Style: French Realist
School: Realist
Movement: Realism
French
Painting;
- Genre:
- Painting
picture ( marcgt )
Painting
Notes
- Summary:
- Daumier's paintings were probably done for the most part fairly late in his career. Although he was accepted four times by the Salon, he never exhibited his paintings otherwise and they remained practically unknown up to the time of an exhibition held at Durand-Ruel's gallery in 1878, the year of his death. The paintings are in the main a documentation of contemporary life and manners with satirical overtones, although he also did a number featuring Don Quixote as a larger-than-life hero. His technique was remarkably broad and free.
- General Note:
- Design Date: Ca. 1867 (signed)
- General Note:
- Inventory: 907.19.81
Record Information
- Source Institution:
- University of South Florida Library
- Holding Location:
- University of South Florida
- Rights Management:
- All applicable rights reserved by the source institution and holding location.
- Resource Identifier:
- A01-NFF1042 ( USFLDC DOI )
a1.nff1042 ( USFLDC Handle )
Postcard Information
- Format:
- Photograph
|
| Full Text |
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Daumier, Honor
e Artist : painter
0 245
The Painter.
260
c Ca. 1867
340
b 40.8 x 32 cm.
Oil on canvas.
500
Design Date: Ca. 1867 (signed)
Inventory: 907.19.81
520
Daumier's paintings were probably done for the most part fairly late in his career. Although he was accepted four times by the Salon, he never exhibited his paintings otherwise and they remained practically unknown up to the time of an exhibition held at Durand-Ruel's gallery in 1878, the year of his death. The paintings are in the main a documentation of contemporary life and manners with satirical overtones, although he also did a number featuring Don Quixote as a larger-than-life hero. His technique was remarkably broad and free.
4 651
Reims, France.
Paris, France.
653
Style: French Realist.
School: Realist.
Movement: Realism.
French.
Painting;
655
Painting
2 710
Musee des Beaux Arts. ID=FRM
773
t Art and Art History Collection (Saskia)
|
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