Poplars on a Hill
| Citation |
- Permanent Link:
- http://digital.lib.usf.edu/SFS0035350/00001
Material Information
- Title:
- Poplars on a Hill
- Alternate title:
- Poplars at Saint-Remy
- Creator:
- Gogh, Vincent van, 1853-90 ( Artist : painter )
Cleveland Museum of Art. ID=UOC
- Publication Date:
- 1889-90
- Language:
- English
Subjects
- Subjects / Keywords:
- Cleveland, Ohio, United States
Saint-Remy, France
Style: Dutch Post-Impressionist
School: Post-Impressionist
Movement: Post-Impressionism
Dutch
Painting;
- Genre:
- Painting
picture ( marcgt )
Painting
Notes
- Summary:
- When van Gogh began experiencing prolonged seizures in 1889, he committed himself to an asylum in Saint-Remy. There he sometimes painted the fields and landscape visible through his window. Anxious about the recurrence of his illness, he made even bolder expressions of his feelings of nature. In Poplars at Saint-Remy, each brushstroke is like a broad, thick mosaic tile fitted into place. The trees tilting to the right seem to be walking up the hill with an instability that animates the entire composition.
- General Note:
- Beginning Date: 1889
- General Note:
- Completion Date: 1890
Record Information
- Source Institution:
- University of South Florida Library
- Holding Location:
- University of South Florida
- Rights Management:
- All applicable rights reserved by the source institution and holding location.
- Resource Identifier:
- A01-NHF0011 ( USFLDC DOI )
a1.nhf0011 ( USFLDC Handle )
Postcard Information
- Format:
- Photograph
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| Full Text |
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1 100
Gogh, Vincent van, 1853-90.
e Artist : painter
0 245
Poplars on a Hill.
2 246
Poplars at Saint-Remy.
260
c 1889-90
340
b 61.6 x 45.7 cm.
Oil on canvas.
500
Beginning Date: 1889
Completion Date: 1890
520
When van Gogh began experiencing prolonged seizures in 1889, he committed himself to an asylum in Saint-Remy. There he sometimes painted the fields and landscape visible through his window. Anxious about the recurrence of his illness, he made even bolder expressions of his feelings of nature. In Poplars at Saint-Remy, each brushstroke is like a broad, thick mosaic tile fitted into place. The trees tilting to the right seem to be walking up the hill with an instability that animates the entire composition.
4 651
Cleveland, Ohio, United States.
Saint-Remy, France.
653
Style: Dutch Post-Impressionist.
School: Post-Impressionist.
Movement: Post-Impressionism.
Dutch.
Painting;
655
Painting
710
Cleveland Museum of Art. ID=UOC
773
t Art and Art History Collection (Saskia)
|
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