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Church at Auvers-sur-Oise

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Material Information

Title:
Church at Auvers-sur-Oise
Physical Description:
Photograph
Language:
English
Creator:
Gogh, Vincent van, 1853-1890 ( Artist : painter )
France, Paris, Musee d'Orsay. ID=FPO
Publication Date:

Subjects

Subjects / Keywords:
Paris, France
Auvers-sur-Oise, France
Style: Dutch Post-Impressionist
School: Post-Impressionist
Movement: Post-Impressionism
Dutch
Painting;
Genre:
Painting
Painting
picture   ( marcgt )

Notes

Summary:
This is the only painting representing in full the church in Auvers that may sometimes be distinguished in the background of views of the whole village. This church, built in the 13th century in the early Gothic style, flanked by two Romanesque chapels, became under the painter's brush a flamboyant monument on the verge of dislocating itself from the ground and from the two paths that seem to be clasping it like torrents of lava or mud. If one compares this painting with Claude Monet's paintings of the cathedral in Rouen, painted shortly afterwards, one can measure how different Van Gogh's approach was from that of the impressionists. Unlike Monet, he did not try to render the impression of the play of light on the monument.

Record Information

Source Institution:
University of South Florida Library
Holding Location:
University of South Florida
Rights Management:
All applicable rights reserved by the source institution and holding location.
Resource Identifier:
usfldc doi - A01-NHF0050
usfldc handle - a1.nhf0050
System ID:
SFS0035362:00001

Full Text
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subfield code a A01-NHF0050
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FHM
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FHmm
1 100
Gogh, Vincent van, 1853-1890.
e Artist : painter
0 245
Church at Auvers-sur-Oise.
260
c 1890.
340
b 94 x 74 cm.
Oil on canvas.
520
This is the only painting representing in full the church in Auvers that may sometimes be distinguished in the background of views of the whole village. This church, built in the 13th century in the early Gothic style, flanked by two Romanesque chapels, became under the painter's brush a flamboyant monument on the verge of dislocating itself from the ground and from the two paths that seem to be clasping it like torrents of lava or mud. If one compares this painting with Claude Monet's paintings of the cathedral in Rouen, painted shortly afterwards, one can measure how different Van Gogh's approach was from that of the impressionists. Unlike Monet, he did not try to render the impression of the play of light on the monument.
4 651
Paris, France.
Auvers-sur-Oise, France.
653
Style: Dutch Post-Impressionist.
School: Post-Impressionist.
Movement: Post-Impressionism.
Dutch.
Painting;
655
Painting
2 710
France, Paris, Musee d'Orsay. ID=FPO
773
t Art and Art History Collection (Saskia)