Self Portrait with Hat. (detail)

Citation
Self Portrait with Hat. (detail)

Material Information

Title:
Self Portrait with Hat. (detail)
Creator:
GOGH, Vincent van, 1853-90 ( Artist : painter )
Musee d'Orsay. ID=FPO
Publication Date:
Language:
English

Subjects

Subjects / Keywords:
Paris, France
Paris, France
Style: Dutch Post-Impressionist
School: Post-Impressionist
Movement: Post-Impressionism
Dutch
Painting;
Genre:
Painting
picture ( marcgt )
Painting

Notes

Summary:
In February 1886 he moved to Paris, where he met Pissarro, Degas, Gauguin, Seurat, and Toulouse-Lautrec. At this time his painting underwent a violent metamorphosis under the combined influence of Impressionism and Japanese woodcuts, losing its moralistic flavour of social realism. Van Gogh became obsessed by the symbolic and expressive values of colors and began to use them for this purpose rather than, as did the Impressionists, for the reproduction of visual appearances, atmosphere, and light. `Instead of trying to reproduce exactly what I have before my eyes,' he wrote, `I use color more arbitrarily so as to express myself more forcibly'.

Record Information

Source Institution:
University of South Florida Library
Holding Location:
University of South Florida
Rights Management:
All applicable rights reserved by the source institution and holding location.
Resource Identifier:
A01-NHF0055 ( USFLDC DOI )
a1.nhf0055 ( USFLDC Handle )

Postcard Information

Format:
Photograph

Full Text
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controlfield tag 007 kh|mo|
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datafield ind1 8 ind2 024
subfield code a A01-NHF0055
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FHM
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FHmm
1 100
GOGH, Vincent van, 1853-90.
e Artist : painter
0 245
Self Portrait with Hat. (detail)
260
c Summer, 1887.
340
b 34.9 x 26.7 cm.
Oil on canvas, mounted on wood panel.
520
In February 1886 he moved to Paris, where he met Pissarro, Degas, Gauguin, Seurat, and Toulouse-Lautrec. At this time his painting underwent a violent metamorphosis under the combined influence of Impressionism and Japanese woodcuts, losing its moralistic flavour of social realism. Van Gogh became obsessed by the symbolic and expressive values of colors and began to use them for this purpose rather than, as did the Impressionists, for the reproduction of visual appearances, atmosphere, and light. `Instead of trying to reproduce exactly what I have before my eyes,' he wrote, `I use color more arbitrarily so as to express myself more forcibly'.
4 651
Paris, France.
Paris, France.
653
Style: Dutch Post-Impressionist
School: Post-Impressionist
Movement: Post-Impressionism.
Dutch.
Painting;
655
Painting
2 710
Musee d'Orsay. ID=FPO
773
t Art and Art History Collection (Saskia)


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