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Madame Cezanne Sewing

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Material Information

Title:
Madame Cezanne Sewing
Physical Description:
Photograph
Language:
English
Creator:
Nationalmuseum. ID=SSN
Publication Date:

Subjects

Subjects / Keywords:
Stockholm, Sweden
Aix-en-Provence, France
Style: French Post- Impressionist
School: Post- Impressionist
Movement: French Post- Impressionism
French
Painting;
Genre:
Painting
Painting
picture   ( marcgt )

Notes

Summary:
On his first Paris trip, he met Marie-Hortense Fiquet, the model who eventually became his wife and the mother of his only child. She never liked Provence, and she never understood her husband. She preferred the city lights to the south of France, so they lived apart much of the time. She dutifully posed for her husband during summers in Aix, but these portraits show her with a remote, inscrutable look, with eyes that never meet the viewer's. She didn't get much out of the marriage. Paul kept her a secret from the family for years, and because he seldom sold a painting (although he did barter them for art supplies from P
General Note:
Inventory: 6348

Record Information

Source Institution:
University of South Florida Library
Holding Location:
University of South Florida
Rights Management:
All applicable rights reserved by the source institution and holding location.
Resource Identifier:
usfldc doi - A01-PFF0068
usfldc handle - a1.pff0068
System ID:
SFS0035521:00001

Full Text
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record xmlns http:www.loc.govMARC21slim xmlns:xsi http:www.w3.org2001XMLSchema-instance xsi:schemaLocation http:www.loc.govstandardsmarcxmlschemaMARC21slim.xsd
leader nkm 22 a 4500
controlfield tag 007 kh|mo|
008 s flunnn| ||||ineng
datafield ind1 8 ind2 024
subfield code a A01-PFF0068
040
FHM
049
FHmm
1 100
C
e Artist : painter
0 245
Madame Cezanne Sewing.
260
c 1878.
340
b 72.5 x 56 cm.
Oil on canvas.
500
Inventory: 6348
520
On his first Paris trip, he met Marie-Hortense Fiquet, the model who eventually became his wife and the mother of his only child. She never liked Provence, and she never understood her husband. She preferred the city lights to the south of France, so they lived apart much of the time. She dutifully posed for her husband during summers in Aix, but these portraits show her with a remote, inscrutable look, with eyes that never meet the viewer's. She didn't get much out of the marriage. Paul kept her a secret from the family for years, and because he seldom sold a painting (although he did barter them for art supplies from P
4 651
Stockholm, Sweden.
Aix-en-Provence, France.
653
Style: French Post- Impressionist.
School: Post- Impressionist.
Movement: French Post- Impressionism.
French.
Painting;
655
Painting
2 710
Nationalmuseum. ID=SSN
773
t Art and Art History Collection (Saskia)