Umbrella in the Snow

Citation
Umbrella in the Snow

Material Information

Title:
Umbrella in the Snow
Creator:
Bonnard, Pierre, 1867-1947 ( Artist : painter )
Nationalmuseum. ID=SSN
Language:
English

Subjects

Subjects / Keywords:
Stockhom, Sweden
Paris, France
Style: French Nabi
School: Nabi
Movement: Les Nabis : Parisian Post-Impressionism
Parisian
Painting;
Genre:
Painting
picture ( marcgt )
Painting

Notes

Summary:
Bonnard and his friends in the 'Nabis' (Prophets) group were inspired by the bold colours of Gaugin's paintings and this influence was predominant in Bonnard's lithographic work. "These pictures are about more than just the passage of time or the consolation of memory. They are about the acceptance that everything in nature surrenders to time...These works crystallise what has always been Bonnard's primary mood, that of elegy. He has often been described as a painter of pleasure, but he is not a painter of pleasure. He is a painter of the effervescence of pleasure and the disappearance of pleasure. His celebration of life is one side of a coin, the other side of which is always present - a lament for transience."
General Note:
Inventory: 5969

Record Information

Source Institution:
University of South Florida Library
Holding Location:
University of South Florida
Rights Management:
All applicable rights reserved by the source institution and holding location.
Resource Identifier:
A01-PFF0072 ( USFLDC DOI )
a1.pff0072 ( USFLDC Handle )

Postcard Information

Format:
Photograph

Full Text
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Bonnard, Pierre, 1867-1947.
e Artist : painter
0 245
Umbrella in the Snow.
340
c Oil on canvas.
500
Inventory: 5969
520
Bonnard and his friends in the 'Nabis' (Prophets) group were inspired by the bold colours of Gaugin's paintings and this influence was predominant in Bonnard's lithographic work. "These pictures are about more than just the passage of time or the consolation of memory. They are about the acceptance that everything in nature surrenders to time...These works crystallise what has always been Bonnard's primary mood, that of elegy. He has often been described as a painter of pleasure, but he is not a painter of pleasure. He is a painter of the effervescence of pleasure and the disappearance of pleasure. His celebration of life is one side of a coin, the other side of which is always present a lament for transience."
4 651
Stockhom, Sweden.
Paris, France.
653
Style: French Nabi.
School: Nabi.
Movement: Les Nabis : Parisian Post-Impressionism.
Parisian.
Painting;
655
Painting
2 710
Nationalmuseum. ID=SSN
773
t Art and Art History Collection (Saskia)


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