USF Libraries
USF Digital Collections

Mont St. Victoire, Provence

CLICK HERE TO DISPLAY IMAGE ( Related URL )
MISSING IMAGE

Material Information

Title:
Mont St. Victoire, Provence
Physical Description:
Photograph
Language:
English
Creator:
Nasjonalgalleriet. ID=NON
Publication Date:

Subjects

Subjects / Keywords:
Oslo, Norway
Aix-en-Provence, France
Style: French Post- Impressionist
School: Post- Impressionist
Movement: French Post- Impressionism
French
Painting;
Genre:
Painting
Painting
picture   ( marcgt )

Notes

Summary:
It is marvelous how all seems to flicker in changing colors from point to point, while out of this vast restless motion emerges a solid world of endless expanse, rising and settling. The great depth is built up in broad layers intricately fitted and interlocked, without an apparent constructive scheme. Towards us these layers become more and more diagonal; the diverging lines in the foreground seem a vague reflection of the mountain's form.
General Note:
Beginning Date: 1885
General Note:
Completion Date: 1887

Record Information

Source Institution:
University of South Florida Library
Holding Location:
University of South Florida
Rights Management:
All applicable rights reserved by the source institution and holding location.
Resource Identifier:
usfldc doi - A01-PFF0091
usfldc handle - a1.pff0091
System ID:
SFS0035536:00001

Full Text
xml version 1.0 encoding UTF-8 standalone no
record xmlns http:www.loc.govMARC21slim xmlns:xsi http:www.w3.org2001XMLSchema-instance xsi:schemaLocation http:www.loc.govstandardsmarcxmlschemaMARC21slim.xsd
leader nkm 22 a 4500
controlfield tag 007 kh|mo|
008 s flunnn| ||||ineng
datafield ind1 8 ind2 024
subfield code a A01-PFF0091
040
FHM
049
FHmm
1 100
C
e Artist : painter
0 245
Mont St. Victoire, Provence.
260
c 1885-87
340
b 59 x 81 cm.
Oil on canvas.
500
Beginning Date: 1885
Completion Date: 1887
520
It is marvelous how all seems to flicker in changing colors from point to point, while out of this vast restless motion emerges a solid world of endless expanse, rising and settling. The great depth is built up in broad layers intricately fitted and interlocked, without an apparent constructive scheme. Towards us these layers become more and more diagonal; the diverging lines in the foreground seem a vague reflection of the mountain's form.
4 651
Oslo, Norway.
Aix-en-Provence, France.
653
Style: French Post- Impressionist.
School: Post- Impressionist.
Movement: French Post- Impressionism.
French.
Painting;
655
Painting
2 710
Nasjonalgalleriet. ID=NON
773
t Art and Art History Collection (Saskia)