Lady with a Dog

Citation
Lady with a Dog

Material Information

Title:
Lady with a Dog
Alternate title:
Woman and Dog
Creator:
Degas, Edgar, 1834-1917 ( Artist : painter )
Nasjonalgalleriet. ID=NON
Publication Date:
Language:
English

Subjects

Subjects / Keywords:
Oslo, Norway
Paris, France
Style: French Realist/Impressionist
School: Realist/Impressionist
Movement: Realism/Impressionism
French
Painting;
Genre:
Painting
picture ( marcgt )
Painting

Notes

Summary:
Degas evidently retained in memory a moment when his sitters were in pensive mood. He did not seek to flatter them or make a `pretty picture' (an idea he regarded with horror). On the other hand nothing could have been farther from his thoughts than to depict these familiar acquaintances as monsters of dissipation and degradation in order to draw a moral lesson.
General Note:
Beginning Date: 1875
General Note:
Completion Date: 1880

Record Information

Source Institution:
University of South Florida Library
Holding Location:
University of South Florida
Rights Management:
All applicable rights reserved by the source institution and holding location.
Resource Identifier:
A01-PFF0097 ( USFLDC DOI )
a1.pff0097 ( USFLDC Handle )

Postcard Information

Format:
Photograph

Full Text
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record xmlns http:www.loc.govMARC21slim xmlns:xsi http:www.w3.org2001XMLSchema-instance xsi:schemaLocation http:www.loc.govstandardsmarcxmlschemaMARC21slim.xsd
leader nkm 22 a 4500
controlfield tag 007 kh|mo|
008 s flunnn| ||||ineng
datafield ind1 8 ind2 024
subfield code a A01-PFF0097
040
FHM
049
FHmm
1 100
Degas, Edgar, 1834-1917.
e Artist : painter
0 245
Lady with a Dog.
2 246
Woman and Dog.
260
c 1875-80
340
b 39 x 48 cm.
Oil on canvas.
500
Beginning Date: 1875
Completion Date: 1880
520
Degas evidently retained in memory a moment when his sitters were in pensive mood. He did not seek to flatter them or make a `pretty picture' (an idea he regarded with horror). On the other hand nothing could have been farther from his thoughts than to depict these familiar acquaintances as monsters of dissipation and degradation in order to draw a moral lesson.
4 651
Oslo, Norway.
Paris, France.
653
Style: French Realist/Impressionist.
School: Realist/Impressionist.
Movement: Realism/Impressionism.
French.
Painting;
655
Painting
710
Nasjonalgalleriet. ID=NON
773
t Art and Art History Collection (Saskia)


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