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Mme. Mette Gauguin Seated in an Armchair (detail)

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Material Information

Title:
Mme. Mette Gauguin Seated in an Armchair (detail)
Alternate title:
Madame Mette Gauguin in Evening Dress
Physical Description:
Photograph
Language:
English
Creator:
Gauguin, Paul, 1848-1903 ( Artist : painter )
Nasjonalgalleriet. ID=NON

Subjects

Subjects / Keywords:
Oslo, Norway
Paris, France
Style: French Post-Impressionist
School: Post-Impressionist
Movement: Post-Impressionism
French
Painting
Genre:
Painting
Painting
picture   ( marcgt )

Notes

Summary:
Gauguin's break with the Impressionists came when he painted "Vision after the Sermon," where he tried to depict the inner feelings of his subjects. This painting also marked the start of a new painting style that came to be known as "Symbolism." Although this period had been highly productive for Gauguin, he was deeply depressed and in 1891 abandoned his family to seek an idyllic life in the South Pacific Islands.
General Note:
Design Date: 1884 (signed & dated).
General Note:
Beginning Date: 1884.

Record Information

Source Institution:
University of South Florida Library
Holding Location:
University of South Florida
Rights Management:
All applicable rights reserved by the source institution and holding location.
Resource Identifier:
usfldc doi - A01-PFF0133
usfldc handle - a1.pff0133
System ID:
SFS0035565:00001

Full Text
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record xmlns http:www.loc.govMARC21slim xmlns:xsi http:www.w3.org2001XMLSchema-instance xsi:schemaLocation http:www.loc.govstandardsmarcxmlschemaMARC21slim.xsd
leader nkm 22 a 4500
controlfield tag 007 kh|mo|
008 s flunnn| ||||ineng
datafield ind1 8 ind2 024
subfield code a A01-PFF0133
040
FHM
049
FHmm
1 100
Gauguin, Paul, 1848-1903.
e Artist : painter
0 245
Mme. Mette Gauguin Seated in an Armchair (detail).
2 246
Madame Mette Gauguin in Evening Dress.
260
g 1884.
340
b 65 x 54 cm.
c Oil on canvas.
500
Design Date: 1884 (signed & dated).
Beginning Date: 1884.
520
Gauguin's break with the Impressionists came when he painted "Vision after the Sermon," where he tried to depict the inner feelings of his subjects. This painting also marked the start of a new painting style that came to be known as "Symbolism." Although this period had been highly productive for Gauguin, he was deeply depressed and in 1891 abandoned his family to seek an idyllic life in the South Pacific Islands.
4 651
Oslo, Norway.
Paris, France.
653
Style: French Post-Impressionist.
School: Post-Impressionist.
Movement: Post-Impressionism.
French.
Painting
655
Painting
710
Nasjonalgalleriet. ID=NON
773
t Art and Art History Collection (Saskia)
787
Closeup; Madame Gauguin.