After the Bath

Citation
After the Bath

Material Information

Title:
After the Bath
Creator:
Renoir, Auguste, 1841-1919 ( Artist : painter )
Nasjonalgalleriet. ID=NON
Publication Date:
Language:
English

Subjects

Subjects / Keywords:
Oslo, Norway
Aix-en-Provence, France
Style: French Impressionism
Period: Ingres Period
School: Impressionist
Movement: Impressionism
French
Painting;
Genre:
Painting
picture ( marcgt )
Painting

Notes

Summary:
Most of his works executed from 1883 to 1884 on are so marked by a new discipline that art historians have grouped them under the title the "Ingres" period, to signify their vague similarity with the technique of Ingres, or the "harsh," or "dry," period. Renoir's experiments with Impressionism were not wasted, however, because he retained a palette that was bursting with colours. Nevertheless, in paintings from this period, such as "The Umbrellas" (c. 1883) and "Bathers" (1884-87), Renoir emphasized volume, form, contours, and line rather than colour and brushstrokes. His strong reaction against Impressionism continued until about 1890.

Record Information

Source Institution:
University of South Florida Library
Holding Location:
University of South Florida
Rights Management:
All applicable rights reserved by the source institution and holding location.
Resource Identifier:
A01-PFF0164 ( USFLDC DOI )
a1.pff0164 ( USFLDC Handle )

Postcard Information

Format:
Photograph

Full Text
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1 100
Renoir, Auguste, 1841-1919.
e Artist : painter.
0 245
After the Bath.
260
c 1885-87
340
b 60 x 54 cm.
Oil on canvas.
520
Most of his works executed from 1883 to 1884 on are so marked by a new discipline that art historians have grouped them under the title the "Ingres" period, to signify their vague similarity with the technique of Ingres, or the "harsh," or "dry," period. Renoir's experiments with Impressionism were not wasted, however, because he retained a palette that was bursting with colours. Nevertheless, in paintings from this period, such as "The Umbrellas" (c. 1883) and "Bathers" (1884-87), Renoir emphasized volume, form, contours, and line rather than colour and brushstrokes. His strong reaction against Impressionism continued until about 1890.
4 651
Oslo, Norway.
Aix-en-Provence, France.
653
Style: French Impressionism.
Period: Ingres Period.
School: Impressionist.
Movement: Impressionism.
French.
Painting;
655
Painting
2 710
Nasjonalgalleriet. ID=NON
773
t Art and Art History Collection (Saskia)


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