Harlequin Threatening Columbine

Citation
Harlequin Threatening Columbine

Material Information

Title:
Harlequin Threatening Columbine
Alternate title:
Harlequin and Colombine
Creator:
DEGAS, Edgar, 1834-1917 ( Artist : painter )
Kunsthistorisches Museum. ID=AVK
Language:
English

Subjects

Subjects / Keywords:
Vienna, Austria
Paris, France
Style: French Realist/Impressionist
School: Realist/Impressionist
Movement: Realism/Impressionism
Painting
Genre:
Painting
picture ( marcgt )
Painting

Notes

Summary:
Among the supreme masterpieces of the century are Degas's pictures of the ballet and its dancers. The impulse towards painting the contemporary scene came to him not only from Courbet and Manet but from his friend, the critic Duranty, the exponent of the aesthetics of naturalism. Yet in the particular direction of his tastes and his conception of design he was entirely individual. To study and convey movement was a chosen task, first undertaken on the race course and then in his many pictures of the Opera, viewed from behind the scenes, in the wings, or from the orchestra stalls during a performance.
General Note:
Design Date: C.1886-1890 (signed)
General Note:
Inventory: NG72

Record Information

Source Institution:
University of South Florida Library
Holding Location:
University of South Florida
Rights Management:
All applicable rights reserved by the source institution and holding location.
Resource Identifier:
A01-PFF0189 ( USFLDC DOI )
a1.pff0189 ( USFLDC Handle )

Postcard Information

Format:
Photograph

Full Text
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datafield ind1 8 ind2 024
subfield code a A01-PFF0189
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FHmm
1 100
DEGAS, Edgar, 1834-1917
e Artist : painter
0 245
Harlequin Threatening Columbine
2 246
Harlequin and Colombine.
340
b 41 x 41 cm.
c Oil on canvas.
500
Design Date: C.1886-1890 (signed)
Inventory: NG72
520
Among the supreme masterpieces of the century are Degas's pictures of the ballet and its dancers. The impulse towards painting the contemporary scene came to him not only from Courbet and Manet but from his friend, the critic Duranty, the exponent of the aesthetics of naturalism. Yet in the particular direction of his tastes and his conception of design he was entirely individual. To study and convey movement was a chosen task, first undertaken on the race course and then in his many pictures of the Opera, viewed from behind the scenes, in the wings, or from the orchestra stalls during a performance.
4 651
Vienna, Austria.
Paris, France.
653
Style: French Realist/Impressionist.
School: Realist/Impressionist.
Movement: Realism/Impressionism.
Painting
655
Painting
710
Kunsthistorisches Museum. ID=AVK
773
t Art and Art History Collection (Saskia)


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