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Still Life with Fruit Basket

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Material Information

Title:
Still Life with Fruit Basket
Alternate title:
Still Life With a Basket (Kitchen Table)
Physical Description:
Photograph
Language:
English
Creator:
Musee d'Orsay. ID=FPO
Publication Date:

Subjects

Subjects / Keywords:
Paris, France
Aix-en-Provence, France
Style: French Post- Impressionist
School: Post- Impressionist
Movement: Post- Impressionism
French
Painting;
Genre:
Painting
Painting
picture   ( marcgt )

Notes

Summary:
Cezanne does not draw his picture before painting it: instead, he creates space and depth of perspective by means of planes of color, which are freely associated and at the same time contrasted and compared. The facets which are thus produced create not just one but many perspectives, and in this way volume comes once again to dominate the composition, no longer a product of the line but rather of the color itself. His still-lifes, in their simplicity and delicate tonal harmony, are a typical work and thus ideal for an understanding of C
General Note:
Beginning Date: 1888.
General Note:
Completion Date: 1890.

Record Information

Source Institution:
University of South Florida Library
Holding Location:
University of South Florida
Rights Management:
All applicable rights reserved by the source institution and holding location.
Resource Identifier:
usfldc doi - A01-PFF0279
usfldc handle - a1.pff0279
System ID:
SFS0035646:00001

Full Text
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leader nkm 22 a 4500
controlfield tag 007 kh|mo|
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datafield ind1 8 ind2 024
subfield code a A01-PFF0279
040
FHM
049
FHmm
1 100
C
e Artist : painter
0 245
Still Life with Fruit Basket.
2 246
Still Life With a Basket (Kitchen Table).
260
c 1888-90.
340
b 65 x 81 cm.
Oil on canvas.
500
Beginning Date: 1888.
Completion Date: 1890.
520
Cezanne does not draw his picture before painting it: instead, he creates space and depth of perspective by means of planes of color, which are freely associated and at the same time contrasted and compared. The facets which are thus produced create not just one but many perspectives, and in this way volume comes once again to dominate the composition, no longer a product of the line but rather of the color itself. His still-lifes, in their simplicity and delicate tonal harmony, are a typical work and thus ideal for an understanding of C
4 651
Paris, France.
Aix-en-Provence, France.
653
Style: French Post- Impressionist.
School: Post- Impressionist.
Movement: Post- Impressionism.
French.
Painting;
655
Painting
710
Musee d'Orsay. ID=FPO
773
t Art and Art History Collection (Saskia)