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Bridge at Argenteuil

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Material Information

Title:
Bridge at Argenteuil
Physical Description:
Photograph
Language:
English
Creator:
Monet, Claude, 1840-1936 ( Artist : painter )
Musee d'Orsay. ID=FPO
Publication Date:

Subjects

Subjects / Keywords:
Paris, France
Argenteuil, France
Style: French Impressionist
School: Impressionist
Movement: Impressionism
oil paintings --   ( aat )
Genre:
picture   ( marcgt )

Notes

Summary:
Whereas Manet gained effect by sparkling accents standing out against low tones in his open-air pictures, Monet worked out the equation of light and colour more comprehensively and in more variety. In The Bridge at Argenteuil the equivalence is complete, the glow of light produced by pure and unmixed colour pervades the canvas and surrounds the forms appearing in it. The interplay between the short strokes indicative of ripples and the larger areas of colour is made with a typical flexibility of skill.
General Note:
Design Date: 1874 (signed & dated)
General Note:
Inventory: R.F.1937-41

Record Information

Source Institution:
University of South Florida Library
Holding Location:
University of South Florida
Rights Management:
All applicable rights reserved by the source institution and holding location.
Resource Identifier:
usfldc doi - A01-PFF0348
usfldc handle - a1.pff0348
System ID:
SFS0035707:00001

Full Text
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record xmlns http:www.loc.govMARC21slim xmlns:xsi http:www.w3.org2001XMLSchema-instance xsi:schemaLocation http:www.loc.govstandardsmarcxmlschemaMARC21slim.xsd
leader nkm 22 a 4500
controlfield tag 007 kh|mo|
008 s flunnn| ||||ineng
datafield ind1 8 ind2 024
subfield code a A01-PFF0348
040
FHM
1 100
Monet, Claude, 1840-1936.
e Artist : painter
0 245
Bridge at Argenteuil.
260
c 1874
340
b 60 x 79.7 cm.
Oil on canvas
500
Design Date: 1874 (signed & dated)
Inventory: R.F.1937-41
520
Whereas Manet gained effect by sparkling accents standing out against low tones in his open-air pictures, Monet worked out the equation of light and colour more comprehensively and in more variety. In The Bridge at Argenteuil the equivalence is complete, the glow of light produced by pure and unmixed colour pervades the canvas and surrounds the forms appearing in it. The interplay between the short strokes indicative of ripples and the larger areas of colour is made with a typical flexibility of skill.
4 651
Paris, France.
Argenteuil, France.
653
Style: French Impressionist.
School: Impressionist.
Movement: Impressionism.
654
v
oil paintings --
f
Impressionist.
2 aat
710
Musee d'Orsay. ID=FPO
773
t Art and Art History Collection (Saskia)
049
FHmm