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Blue Water Lilies (detail)

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Material Information

Title:
Blue Water Lilies (detail)
Physical Description:
Photograph
Language:
English
Creator:
Monet, Claude, 1840-1936 ( Artist : painter )
Musee d'Orsay. ID=FPO

Subjects

Subjects / Keywords:
Paris, France
Paris, France
Style: French Impressionistic
School: Impressionist
Movement: Impressionism
French
Painting
Genre:
Painting
Painting
picture   ( marcgt )

Notes

Summary:
By his fellow painters Monet was regarded as a leader, not because he was the most intellectual or theoretically minded or because he was able to answer questions that they could not answer, but because in his art he seemed to be more alert to the possibilities latent in their common ideas, which he then developed in his work in a more radical way than did the others. Considering how all these painters developed their intensely personal manners with respect to the new artistic ideas, we may observe that the new elements appeared most often for the first time in the work of Monet and then were taken over by the other Impressionists, who incorporated them as suggestions or as definite means and applied them in their own ways.
General Note:
Inventory: RF 1981-40

Record Information

Source Institution:
University of South Florida Library
Holding Location:
University of South Florida
Rights Management:
All applicable rights reserved by the source institution and holding location.
Resource Identifier:
usfldc doi - A01-PFF0561
usfldc handle - a1.pff0561
System ID:
SFS0035859:00001

Full Text
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record xmlns http:www.loc.govMARC21slim xmlns:xsi http:www.w3.org2001XMLSchema-instance xsi:schemaLocation http:www.loc.govstandardsmarcxmlschemaMARC21slim.xsd
leader nkm 22 a 4500
controlfield tag 007 kh|mo|
008 s flunnn| ||||ineng
datafield ind1 8 ind2 024
subfield code a A01-PFF0561
040
FHM
049
FHmm
1 100
Monet, Claude, 1840-1936.
e Artist : painter
0 245
Blue Water Lilies (detail).
260
g Ca. 1916-1919
340
b 200 x 200 cm.
c Oil on canvas.
500
Inventory: RF 1981-40
520
By his fellow painters Monet was regarded as a leader, not because he was the most intellectual or theoretically minded or because he was able to answer questions that they could not answer, but because in his art he seemed to be more alert to the possibilities latent in their common ideas, which he then developed in his work in a more radical way than did the others. Considering how all these painters developed their intensely personal manners with respect to the new artistic ideas, we may observe that the new elements appeared most often for the first time in the work of Monet and then were taken over by the other Impressionists, who incorporated them as suggestions or as definite means and applied them in their own ways.
4 651
Paris, France.
Paris, France.
653
Style: French Impressionistic.
School: Impressionist.
Movement: Impressionism.
French.
Painting
655
Painting
2 710
Musee d'Orsay. ID=FPO
773
t Art and Art History Collection (Saskia)
787
Close-up.