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Woman with a Coffeepot

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Material Information

Title:
Woman with a Coffeepot
Physical Description:
Photograph
Language:
English
Creator:
Musee d'Orsay. ID=FPO

Subjects

Subjects / Keywords:
Paris, France
Paris, France
Style: French Post-Impressionist
School: Post-Impressionist
Movement: Post-Impressionism
French
Painting
Genre:
Painting
Painting
picture   ( marcgt )

Notes

Summary:
The intelligence and the eye of the painter were able to strip away that which was diffuse and superimposed in the view of a given mass, in order to analyze its constituent elements. He chose to rediscover a more substantial reality of simple forms behind the glimmering veil of appearances, an almost Platonic conception of the Mediterranean intellect. "Everything in Nature is modeled after the sphere, the cone and the cylinder. One must learn to paint from these simple figures". Cezanne.
General Note:
Beginning Date: 1890.
General Note:
Completion Date: 1895.
General Note:
Inventory: RF.1956-13

Record Information

Source Institution:
University of South Florida Library
Holding Location:
University of South Florida
Rights Management:
All applicable rights reserved by the source institution and holding location.
Resource Identifier:
usfldc doi - A01-PFF0591
usfldc handle - a1.pff0591
System ID:
SFS0035887:00001

Full Text
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record xmlns http:www.loc.govMARC21slim xmlns:xsi http:www.w3.org2001XMLSchema-instance xsi:schemaLocation http:www.loc.govstandardsmarcxmlschemaMARC21slim.xsd
leader nkm 22 a 4500
controlfield tag 007 kh|mo|
008 s flunnn| ||||ineng
datafield ind1 8 ind2 024
subfield code a A01-PFF0591
040
FHM
049
FHmm
1 100
C
e Artist : painter
0 245
Woman with a Coffeepot.
260
g 1890-95.
340
b 130 x 96.5 cm.
c Oil on canvas.
500
Beginning Date: 1890.
Completion Date: 1895.
Inventory: RF.1956-13
520
The intelligence and the eye of the painter were able to strip away that which was diffuse and superimposed in the view of a given mass, in order to analyze its constituent elements. He chose to rediscover a more substantial reality of simple forms behind the glimmering veil of appearances, an almost Platonic conception of the Mediterranean intellect. "Everything in Nature is modeled after the sphere, the cone and the cylinder. One must learn to paint from these simple figures". Cezanne.
4 651
Paris, France.
Paris, France.
653
Style: French Post-Impressionist.
School: Post-Impressionist.
Movement: Post-Impressionism.
French.
Painting.
655
Painting
2 710
Musee d'Orsay. ID=FPO
773
t Art and Art History Collection (Saskia)
787
Coffee cup, pot.