Cave paintings and the human spirit: the origin of creativity and belief.

Citation

Material Information

Title:
Cave paintings and the human spirit: the origin of creativity and belief.
Creator:
Whitley, David S.
Publisher:
Prometheus Books
Publication Date:
Language:
English

Subjects

Subjects / Keywords:
Archaeological ( local )
Archaeologists ( local )
Chauvet Cave ( local )
Dorn ( local )
Mood Disorders ( local )
Motifs ( local )
Native American ( local )
Paleolithic Art ( local )
Rock Art ( local )
Shamanistic ( local )
Shamans ( local )
Upper Paleolithic ( local )
Genre:
serial ( sobekcm )

Notes

Abstract:
The magnificent prehistoric art discovered in caves throughout France and Spain raises many questions about early human culture. What do these superbly rendered paintings of horses, bison, and enigmatic human figures and symbols mean? How can we explain the sudden flourishing of artistic creativity at such a high level? And in what ways does this artwork reflect the underlying belief system, worldview, and life of the people who created it? In this fascinating discussion of ancient art and religion, Dr. David S. Whitley--one of the world's leading experts on cave paintings--guides the reader in an exploration of these intriguing questions, while sharing his firsthand experiences in visiting these exquisite, breathtaking sites. To grasp what drove these ancient artists to create these masterpieces, and to understand the origin of myth and religion, as Whitley explains, is to appreciate what makes us human. Moreover, he broadens our understanding of the genesis of creativity and myth by proposing a radically new and original theory that weds two seemingly warring camps from separate disciplines. On the one hand, archaeologists specializing in prehistoric cave paintings have argued that the visionary rituals of shamans led to the creation of this expressive art. They consider shamanism to be the earliest known form of religion. By contrast, evolutionary psychologists view the emergence of religious beliefs as a normal expression of the human mind. In their eyes, the wild and ecstatic trances of shamans were a form of aberrant behavior. Far from being typical representatives of ancient religion, shamans were exceptions to the normal rule of early religion. Whitley resolves the controversy by interweaving the archaeological evidence with the latest findings of cutting-edge neuroscience. He thereby rewrites our understanding of shamanism and its connection with artistic creativity, myth, and religion. Combining a colorful narrative describing Whitley's personal explorations at key archaeological sites with robust scien

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University of South Florida Library
Holding Location:
University of South Florida
Rights Management:
This object is protected by copyright, and is made available here for research and educational purposes. Permission to reuse, publish, or reproduce the object beyond the bounds of Fair Use or other exemptions to copyright law must be obtained from the copyright holder.

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